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Six Hours That Resonated Globally: The Seoul Guardians Takes Second Place in Rotterdam Audience Awards
"Democracy Unfolding Like a Thriller"—How The Seoul Guardians Captivated Rotterdam
Poster of ‘The Seoul Guardians' (provided by IMDb)
At the 55th International Film Festival Rotterdam (January
29–February 8, 2026), The Seoul Guardians, a 70-minute documentary
directed by the production team behind MBC's investigative program PD
Notebook, secured second place in the audience preference rankings. In a
festival renowned for showcasing experimental and avant-garde cinema, this
Korean current affairs documentary outperformed narrative features to win
audience favor.
The Seoul Guardians received a
NETPAC Awards Jury Special Mention—an honorary distinction given to films that
the Network for the Promotion of Asian Cinema jury finds particularly
noteworthy—and was selected as one of the festival's "Top 5 Films of the
Year," earning an additional screening in a 1,300-seat theater. Prior to
the festival's opening, Asian Shadows, a sales company specializing in Asian
art and independent cinema, acquired international distribution rights for the
film, opening pathways for global release.
The Seoul Guardians chronicles in
real time the six hours following South Korea's martial law declaration on the
night of December 3, 2024, capturing events inside and outside the National
Assembly. Directors Kim Jong-woo, Kim Shin-wan, and Cho Chul-young grabbed their
cameras immediately upon hearing the martial law announcement and rushed to the
Assembly, documenting the tension and chaos as citizens, soldiers, police, and
legislators converged.
Vanja Kaludjercic, Director of the International Film Festival
Rotterdam, described the work as "a documentary that unfolds like a
thriller." She noted that the film's reportage-style immediacy pulls
audiences into the crowd, conveying the palpable tension of history being
written in real time. The NETPAC jury praised The Seoul Guardians for
"powerfully depicting globally significant themes of democracy and
solidarity through meticulously and brilliantly edited narrative."
The documentary cross-cuts archival footage from the 1980 Gwangju
Democratization Movement, illuminating how memories from 45 years earlier drew
citizens into the streets. The Rotterdam festival recognized how the film
translates a specific event in contemporary Korean history into a collective
narrative of "defending democracy."
The success of The Seoul Guardians signals new
possibilities for Korean political documentaries. Where films like A
Taxi Driver and 1987: When the Day Comes conveyed
memories of the May 18 Gwangju Uprising through narrative cinema conventions,
this work demonstrates the unique power of documentary to capture events as
they happen in the "here and now." It represents a fusion of
broadcast journalism's mobility with cinematic compositional strength.
The film's Rotterdam achievement suggests that Korean documentary
filmmaking is evolving beyond domestic political commentary into a form capable
of translating urgent local events into universal narratives about democratic
resilience—stories that resonate with international audiences seeking to
understand how societies confront authoritarian impulses in real time.
Sources
• Cineuropa, "Jason Jacobs and Devon Delmar's Variations on a Theme and Rezwan Shahriar Sumit's Master take the top honours at IFFR", 2026.02.09
• IMDb,
"South Korean Martial Law Documentary 'The Seoul Guardians' Acquired by
Asian Shadows Ahead of Rotterdam Bow (Exclusive)", 2026.01.27
• Cineuropa, "Vanja Kaludjercic • Director, International Film Festival Rotterdam", 2026.01.27
• Topstar News, "MBC 'PD Notebook' Documentary 'The Seoul Guardians' Receives NETPAC Special Mention at Rotterdam International Film Festival", 2026.02.10
• Asia Economy, "MBC Documentary 'The Seoul Guardians' Wins NETPAC Special Mention at Rotterdam Film Festival", 2026.02.010